This isn’t the usual best ambient releases of 2018 or the year end review of electronic music’s greatest hits or whatever but rather a few emerging artists who have got in touch to me directly with new material that I would like to pass back on to you.
Pushkin Press helped bring Reve’s masterwork The Evenings to wider attention and now they’ve followed it up with another beautifully artworked addition for your European literature shelf.
What I love about Margaret Millar is that you know she’s playing with you but she only lets you get close enough to see the shadows of her deception.
There is a paradox in all great short stories: they leave large marks that bely their stature. Like a tiny comet crashing to Earth, they are brilliantly devastating forces of nature that make a hell of a profound impact.
Dard is brilliant at describing the unspoken tones of noir – the creeping dread, the red-blooded lust and the vein-bulging tell-tale signs of sin’s smothering aftermaths.
Fusing old school grit with contemporary cloth, You Were Never Really Here emerges from an acid trip to the cutting room as one of the most remarkable films of this generation.