There is a paradox in all great short stories: they leave large marks that bely their stature. Like a tiny comet crashing to Earth, they are brilliantly devastating forces of nature that make a hell of a profound impact.
As we immerse ourselves in a bracing loss of innocence, we are riveted to the rhythm of this doom spiral.
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Often when reading narratives that decide to play with time, jumping back and forth without warning, I wonder if the book would hold up as well if it were rearranged in chronological order.
There’s a tenderness within Gazdanov that seems to recall Carson McCullers or Anne Tyler
And when the narrative stops on a dime after an ice-cold 97 pages, you’re left wanting more.