Faeries, we are told, do not exist. But what if we see them? What if they come into lives and completely change our paths and that of those around us? What if these mystical creatures manifest themselves in a real life mystery? What if their light helps overcome our darkness? Camilla Bruce’s You Let Me…
A remarkably lucid and targeted vision that cuts through the haze like a sniper’s bullet soars over an opium field.
To think that Cooper writes, produces, stars, directs, composes much of the music and sings his own material is astonishing – this is the genesis of a multi-talented artist to rival the likes of Welles, Beatty, Eastwood and Chaplin.
Shane Black’s shot at revamping the Predator franchise is a mess of offbeat comedy, thrills and spills that succeeds at hunting down and killing its audience.
With a riveting performance by Welles in the title role, some wonderfully dark photography and perfect pacing, Othello is a genuine classic.
Orson Welles followed up Citizen Kane with another impossibly fresh masterwork. Even with studio interference, The Magnificent Ambersons shines brightly.